Voice & Accent
What your voice tells people
Listeners form fast judgements from voice alone, and knowing which features drive them is more useful than pretending they do not.
Breath, pace, projection and being understood across accents.

Voice & Accent
The pause is the most powerful device available to a speaker and the one people are least willing to use.
Voice & Accent
Listeners form fast judgements from voice alone, and knowing which features drive them is more useful than pretending they do not.
Voice & Accent
Voices change with age in predictable ways, and much of what is assumed inevitable is not.
Voice & Accent
The physical symptoms of speaking anxiety have specific causes and specific countermeasures.
Voice & Accent
Perceived confidence is produced by a handful of specific behaviours, and they can be adopted without deceiving anyone.
Voice & Accent
Being told to speak up is common advice and it produces shouting, which is a different thing from projection.
Voice & Accent
Reading written text aloud is a distinct skill, and the flatness most people produce has identifiable causes.
Voice & Accent
The advice to eliminate them is mostly wrong, and the useful version is more specific.
Voice & Accent
Ten minutes before speaking changes the sound substantially, and almost nobody outside performance does it.
Voice & Accent
The medium removes most of the signals you rely on, which changes what the voice has to do.
Voice & Accent
Intelligibility and accent are different things, and the advice to lose an accent is generally both unnecessary and unhelpful.
Voice & Accent
Speaking too fast is the most common problem and the least noticed by the speaker.
Voice & Accent
Almost every vocal problem in speaking traces back to how the speaker is breathing.