I Am Talkative
Better at being heard

Storytelling

Shape, detail, timing and why most anecdotes fail.

Businesswoman presenting a strategy on a whiteboard during a professional meeting indoors.

Storytelling

The stories organisations tell about themselves

Founding myths and origin stories do real work, and the ones that fail do so for consistent reasons.

Esme Carrington··3 min read

Storytelling

Structuring a longer story

Anything beyond a few minutes needs a shape the listener can feel, and there are only a handful that work.

Esme Carrington··3 min read

Storytelling

Telling a story to a hostile room

Narrative works differently when the audience is sceptical, and the usual techniques can make things worse.

Esme Carrington··3 min read

Storytelling

Metaphor and when it helps

Metaphors do not decorate an explanation — they determine how the listener reasons about it, which is why the wrong one is expensive.

Mei-Lin Chow··3 min read

Storytelling

Endings

Most stories, talks and articles are ruined in the last thirty seconds by a speaker who did not know how to stop.

Esme Carrington··3 min read

Storytelling

Detail and how much to include

One specific detail makes a story vivid and four make it tedious, and the difference is what the detail is doing.

Rafael Duarte··3 min read

Storytelling

Humour that works

Being funny on purpose is a craft with rules, and most of them are about structure rather than material.

Rafael Duarte··3 min read

Storytelling

Telling stories about yourself

Personal stories build connection and require judgement about how much to reveal and to whom.

Esme Carrington··3 min read

Storytelling

Finding stories worth telling

People who always have a relevant story are not luckier — they collect them deliberately.

Esme Carrington··3 min read

Storytelling

Using stories in professional settings

A concrete example is retained where an abstraction is not, which is why stories belong in serious contexts.

Esme Carrington··3 min read

Storytelling

Why most anecdotes fail

The problem is almost never the story — it is the amount of setup and the absence of a point.

Esme Carrington··3 min read